Fall Into What Scares You

Amy Flipped Dog in Florida

While laying on Florida’s Bicentennial Beach on the first Saturday in months where I’ve had literally nothing I had to do, I got an insatiable urge to move. It might have had something to do with the fact that I was writing out yoga sequences–something I love to do but rarely set aside the time for–or perhaps it was simply the setting. The beach definitely brings out my playful side. Somewhere between the memories it evokes from growing up a half mile from the ocean and the sound of kids giggling as they danced in and out of the waves not far from my towel, I got caught up in the fancy-free energy and had to play.

What better way for a yogi to play than by practicing yoga drop backs?

I hadn’t done a yoga drop back since the summer, before I injured my hamstrings and before my life became beautifully more complicated with the new adventure I’m on. At the time, what had always held me back from attempting this deep back bend was all fear–the fear of falling and getting hurt.

What good did that do me? How could I ever grow if I was too afraid to push my boundaries?

I’ve always been good at challenging myself mentally (e.g. in school and at work), stretching myself emotionally (like living abroad in different cultures and falling in love a time or two), but physically, well physical challenges have always stopped me in my tracks. For some reason, the the possibility of physical defeat has always been most daunting to my otherwise risk-embracing psyche.

Yoga has been a huge part of my openness to attempting new physical challenges–like training for my first half marathon–and to not only accepting but embracing this so-called “defeat.” Through falling (as I’ve now done countless times in crane, handstand, forearm stand and almost every balancing pose) I’ve learned my edges. It also shows me where my work is. That’s the fun of falling because you get to keep working to push that impermanent line of limitation farther and farther back. It takes dedicated effort and a lot of self-forgiveness to keep at it, but it is well worth it when you reach a new level and feel that ineffable sense of accomplishment.

On that sunny, carefree Saturday, as I sprang from my towel and without hesitation leaned back falling blindly to my hands, they were met with the receptive give of warm, soft sand. In that moment, I realized that I’m neither now nor ever that far from where I was the first time I faced this frightening transition from firmly grounded upright on two solid feet to topsy-turvy, upside-down. I still have the same healthy amount of fear critical to the resulting rush of achievement. I’ll always be scared of the fall. More important than having that fear though is not being paralyzed by it. By pushing through and just doing it–falling, failing, whatever it is that scares you–you realize just how capable you are and ultimately you’ll want to do it again and again, and again.

The ability to fall, be defeated or however else you personally define facing an uncertain outcome becomes a positive and transformational experience through repetition, perseverance and the joyful embrace of all that is possible.

Taking My Seat as a Yoga Teacher

I recently taught my first beginner’s yoga class and had the honor of being two students’ very first teacher. When I surveyed the class for first-timers and their two hands meekly rose into the air, I felt an immense simultaneous reaction of joy and responsibility. Throughout my certification journey, my mentor would come back time and again to the importance of “taking your seat” as a teacher and “holding the space” for your students. As a yoga teacher, I owe it to everyone who comes to one of my classes to show up and be present. This is never more important than when you are teaching those that are new to the practice.

It is such a rush to guide someone through their first Sun As and Bs, or watch them as they begin to understand how the power of their breath is all they need to go deeper into a posture. As I watched these two students throughout the class, I was elated and inspired to see the movement begin to make sense in their bodies. With my subtle hands-on adjustments and carefully chosen words, they quickly made the practice their own. The true reward was when one of my first-timers came up and gave me a huge hug at the end of class, thanking me for her introduction to the practice. I’m a complete sap so I nearly cried, but kept it together (holding the space) and simply radiated gratitude for her kind words.

While teaching new students definitely evokes an uplifting, I-love-what-I-do feeling, it can also be very intimidating. Yoga has been such a huge part of my life for the past decade that I want to ensure I do everything in my power to make it approachable for people. The last thing I would want is for someone to walk out of my class saying, “yoga was not for me.” I truly believe that yoga – in its many forms – is good for everybody and I want people to keep coming back and see how it can help them.

It is this simultaneous joy and responsibility that drives me to be better every day for my students. After all, they are trusting me with their bodies and, to a certain degree, overall well-being. I take this trust very seriously and feel oh-so lucky that I get to share something that incomparably nourishes me physically, mentally and emotionally with others.

Below are a few of the beautiful photos that my dear friend Leo Matsuo recently snapped of me on the National Mall, featuring hand-painted clothes by the lovely and talented Ashley Ann Bennett. At the time, I was so focused on my Fallen Angel that I didn’t notice the little girl watching me. I love these images because they serve as a reminder that being a teacher means…

Fallen Angel 1

…it is my job to challenge and inspire people to find their edge…

Fallen Angel 2

…it is my job to encourage people to find opening in places where walls are holding them back from their full potential, both as a yogi and a human being…

Fallen Angel 3

…and it is my job to remember that students are trusting in you as their teacher to serve as an example and leader for how to practice yoga with personal integrity, self-kindness (aka listening to your body) and a sense of adventure!

Add Yin to your Yang for a more balanced practice

Most of us in the West practice yoga to get long and lean, in addition to all of the mental and emotional benefits. This style of yoga–the kind that focuses on our muscles–is Yang Yoga. Yang Yoga is an important part of yoga and helps us get strong and healthy. There is, however, an important counterpart to Yang which has been dropped from most of our practices: Yin Yoga. Yin Yoga works the deeper tissues including our ligaments, joints, and fascia. In order to keep a balanced practice of strength and length, it’s important that we “cross-train” with Yin and Yang Yoga.

IMG_5179

Yin Yoga is all about fewer postures with longer holds (think 5-7 solid minutes in pigeon). In a one hour flow, you might only get through 6 asanas with an opening meditation and closing shavasana. These long static holds combined with Ujjayi breathing (oceanic breath) allow you to slowly work into the deeper tissues of the body that get so tight from our day to day activities. At first the poses can be really intense, and you should listen closely to any messages your body might be sending to ease off, but you’ll be amazed where a steady, Ujjayi breathing pattern can take you. As the Yoga Sutra says, all asanas should be sthira and sukham, or practiced with steadiness and ease. This is certainly the case with Yin yoga. My personal mantras while practicing Yin are “Slow and Steady” or “Easy Goes It.” They help me find that sweet spot many of us yoga teachers refer to as your ‘edge’.

The best part about Yin Yoga is that it is incredibly portable and pragmatic. All you need is space to roll out your mat. No handstand kicks or side crows here. Many Yin asanas can be done while you’re chilling, reading a book or watching TV. Here’s a sample one-hour total body  flow that you can do at home or (if you’re a jetsetter) in a hotel room:

  • (3 min) Meditation: Sit in a comfortable seated position, long spine. Close your eyes and bring your palms to rest lightly on the knees. Breathe deeply in and out through the nose, beginning to cultivate your Ujjayi breath. Try counting to 4 on the inhale, holding for 1 count, breathing out for 4 counts, and holding for 1 on empty before restarting the cycle.
Sphinx Pose
Source: realbeauty.com/health/fitness/sphinx-pose
  • (5 min) Sphinx: Lie on your stomach. Bring hands beside shoulders. Press into your palms, forearms parallel, lifting your chest up off the mat. Look down to make sure your elbows are directly under your shoulders. If this is too intense on the lower back walk your hands slightly forward. Keep your legs firmly planted and neck long.
  • (1 min) Full Swan (right knee forward): Also known as Pigeon in Yang Yoga. From Down Dog or Tabletop bring your right knee to your right wrist. Flex the right foot and move it as close to the left wrist as possible without discomfort. Distribute your weight equally between your hips and sit upright. Your hands can either press lightly into your right knee and ankle, fingertips to floor slightly in front of your hips, or on two blocks.
  • (3 min) Sleeping Swan: From Full Swan, walk your hands forward letting the torso and neck hang heavy. As gravity pulls you toward the floor try coming onto your forearms and eventually resting the chest on your right leg, forehead to mat.
  • (5 min) Shoelace (left knee on top):  From Swan, walk your hands back to your hips and sit up tall. Swing your left leg around, bend the leg, and place it on top of your right leg, knees stacked toes pointing back. Slowly let your torso fold forward with every breath, draping over your legs.

Counter-pose: Lie on your back and windshield wiper your legs (30 sec-1 min), releasing the lower back.

  • (1 min) Full Swan (left knee forward): Also known as Pigeon in Yang Yoga. From Down Dog or Tabletop bring your left knee to your right wrist. Flex the left foot and move it as close to the right wrist as possible without discomfort. Distribute your weight equally between your hips and sit upright. Your hands can either press lightly into your right knee and ankle, fingertips to floor slightly in front of your hips, or on two blocks.
  • (3 min) Sleeping Swan: From Full Swan, walk your hands forward letting the torso and neck hang heavy. As gravity pulls you toward the floor try coming onto your forearms and eventually resting the chest on your left leg, forehead to mat.
  • (5 min) Shoelace (right knee on top): From Swan, walk your hands back to your hips and sit up tall. Swing your right leg around, bend the leg, and place it on top of your left leg, knees stacked toes pointing back. Slowly let your torso fold forward with every breath, draping over your legs.

Counter-pose: Lie on your back and windshield wiper your legs (30 sec-1 min), releasing the lower back.

  • (3 min) Straddle (folding forward, centered): Sit facing the long edge of your mat and spread your legs as wide as they’ll go. Flex your feet strongly and hinge forward from the hips, maintaining a flat back. If you can’t keep a long spine while folding forward  keep your torso upright and breath into your hips, tilting them forward inch by inch with every breath. If you can fold forward no problem, work to bring the forearms and eventually chest to the floor.
  • (3 min) Straddle (folding over right leg):Sit up tall, legs spread wide. Inhale to lengthen the spine then exhale, twisting toward the right leg. Inhale, lengthen. Exhale fold over the right leg, reaching chin to shin and working to center the sternum over the knee cap. Reach for the toes, foot or ankle and use your arm strength to fold deeper.
  • (3 min) Straddle (folding over left leg): Sit up tall, legs spread wide. Inhale to lengthen the spine then exhale, twisting toward the left leg. Inhale, lengthen. Exhale fold over the left leg, reaching chin to shin and working to center the sternum over the knee cap. Reach for the toes, foot or ankle and use your arm strength to fold deeper.
  • (3 min) Bananasana (to the right): Lay flat on your back with legs together. Reach arms overhead and clasp hands or elbows. Ground into the mat with your booty and pull belly button to spine. Inch your feet and upper body to the right, arching like a banana. You should feel a nice side body stretch on the left side. If not, move your feet and clasped arms further to the right until you do.
  • (3 min) Bananasana (to the left): Lay flat on your back with legs together. Reach arms overhead and clasp hands or elbows. Ground into the mat with your booty and pull belly button to spine. Inch your feet and upper body to the left, arching like a banana. You should feel a nice side body stretch on the right side. If not, move your feet and clasped arms further to the left until you do.
  • (2 min) Reclining Twist w/ Eagle Legs (right side): Lay flat on your back and draw your knees in toward your chest. Wrap right leg over left, hooking your right foot inside the left ankle if possible. Open your your arms wide and keeping your shoulders grounded, let your legs sink to the left. Breathe into the right side body, middle back, and right hip. Come back to center and unwind the legs to switch sides.
  • (2 min) Reclining Twist w/ Eagle Legs (left side): Lay flat on your back and draw your knees in toward your chest. Wrap left leg over right, hooking your left foot inside the right ankle if possible. Open your your arms wide and keeping your shoulders grounded, let your legs sink to the right. Breathe into the left side body, middle back, and left hip. Come back to center and unwind the legs to switch sides.
  • (5-10 min) Shavasana: Lay flat on your back, legs straight and slightly apart or in reclining butterfly. Arms are by your side, a few inches separating them from the body. Close your eyes and melt into the floor. Let everything go, including your Ujjayi breath.

(Flow adapted from “The Complete Guide to Yin Yoga” by Bernie Clark)

Yin will change your practice for the better when practiced consistently. I highly recommend doing 30 min to an hour of Yin before you go to bed. It can be tough in the morning because we all wake up pretty stiff and need some time for the “fuzz” to loosen up.

Bored with Supported Shoulderstand? Change It Up with Lotus Legs

Whether you’ve been to one yoga class or 1,000, you’ve likely tried your hand at an inversion. From the most restorative of options like Legs Up the Wall (Viparita Karani) to a full-blown Scorpion (Vrschikasana), there is an inversion suited for everybody. They can be challenging, it’s true, but in the words of Leo Buscaglia:

“The person who risks nothing, does nothing, has nothing, is nothing, and becomes nothing. He may avoid suffering and sorrow, but he simply cannot learn, feel, change, grow or love. Chained by his certitude, he is a slave; he has forfeited his freedom. Only the person who risks is truly free.” 

Nothing ventured, nothing gained–am I right?

By definition as human bipeds we spend most of our day upright, head above our heart. Inversions flip that anatomical predisposition on its head, hands, forearms or shoulders, providing a rare opportunity for increased venous return from the lower body (anything below the heart) and improved lymph drainage. Lymph drainage may help reduce swelling, promote healing, alleviate headaches and decrease the appearance of fine lines and wrinkles. Whether you drink the inversion health KoolAid or not, done properly they are safe and fun, so why not give them a go?

For athletes, I would definitely suggest Legs Up the Wall for post training and competition recovery. For the rest of us, I’d recommend starting your inversion play with Supported Shoulderstand (Salamba Sarvangasana)–though both are good for everyone, athlete or not. To get into Supported Shoulderstand check out Yoga Journal’s excellent step-by-step. Once you’ve got that down, you may start to feel the desire to move your legs around, spreading them wide or dropping them in opposite directions into an inverted split. As long as you’re still supporting your back with your hands and keeping your neck straight (no peeking at your neighbors!), you’re safe to play around.

My favorite variation is Upward Lotus in Shoulderstand (Urdhva Padmasana). To get into it, you’ll want to start in Plow Pose (Halasana). From there, pretzel your legs, left over right, into Lotus (Padmasana). With your hands on your back, fingertips pointing toward your booty, stretch your pretzeled thighs up towards the ceiling. Hold this for 8-10 breaths then slowly come out the way you went in, using your hands to gently untangle yourself then slowly rolling down your mat, vertebrae by vertebrae.

DSC_4345
Setting up, feet hip width apart, before sending legs overhead into Halasana.
DSC_4348
Upward Lotus in Shoulderstand, a.k.a. pretzel time
DSC_4352
Lotus Legs: check. Now time to work those elbows and shoulders back in

Have fun with this asana but be careful. If you don’t already have full Lotus (Padmasana) in your practice DO NOT attempt this variation–it can be really tough on the knees.

MoYoga on Supported Headstand (Salamba Sirsasana)

Salamba Sirsasana, or supported headstand, like all yoga inversion postures is a great way to find both energy and calm. By flipping your world upside-down, you’re allowing for increased blood drainage from your lower extremities, as well as your lymph nodes. When you come out of the posture and into child’s pose, you’re flushing your entire body with fresh, oxygenated blood. This is an incredibly active pose and works everything from the forearms and shoulders to the abs and back muscles to your thighs and even feet.

The key to this asana is to approach it without ego and with a sense of adventure. Inversions are often scary for people, but the only way you’ll get injured is if you don’t listen to your body. In the beginning, take it slow and use a wall. Having both the support and peace-of-mind that something is there to catch you if you fall is a great way to get comfortable and kickstart this element of your practice.

Now, let’s break it down step by step…

STEP 1: Set up your yoga mat, kneeling somewhere in the bottom half. In order to find the proper spot to place your head, take your wrist joint and place it on the tip of your nose, fingertips reaching up to the sky. Wherever your middle finger lands–somewhere between your hairline and the crown of your head–is where you’ll want to set your head down. Keep in mind that from an anatomical standpoint the closer to the crown of your head you base this asana, the more neutral your spine will remain.

DSC_4401
All Photos by Leo Matsuo

STEP 2: Place your head down on the mat in front of you, using the spot you found in step 1. Lace your fingers together and cup your head. Your forearms will frame your head and neck on the floor, elbows at shoulder width. Press your inner wrists firmly into the floor.

DSC_4403

STEP 3: Send your booty up and back, coming into down dog legs. From the side you should look like an inverted “V.” Fire up your thighs, actively lifting your kneecaps to engage your quadriceps. Walk your feet in towards your elbows, keeping your heels elevated. The closer your feet come to your elbows, the more your hips come over your shoulders; this will bring you into better alignment from the get-go, making it easier to stay solid once your legs rise up and overhead. Draw your shoulder blades in and down, flattening them against your upper back to keep your front torso lengthened.

DSC_4404

STEP 4: Root down through your forearms, exhale and lift your feet away from the ground. There are two ways to do this: (1) by lifting one straightened leg  to the sky, then powering your other leg up to meet with the first using core and glute strength, or (2) taking both feet up at the same time by bending your knees and hopping lightly off the floor (see above). I am demonstrating the second option because I find it to be a slightly easier place to start. If you chose the second option, engage your abs–drawing belly button into spine–and lift your legs straight up and overhead with control.

Either way you choose to go, avoid using momentum. If you aren’t quite ready to rise up using muscle strength (core power!), you can use a wall and add a little more kick into the process. Please heed my warning above and check your ego at the door before trying this asana.

DSC_4405

STEP 5: Finally with your legs perpendicular to the floor, tuck your tailbone in and down. Lift up and out of your shoulders and neck by rotating your upper thighs inward, engaging your adductors and abductors. Your feet should be directly over your hips, which should be aligned over the crown of your head. Try to keep your weight evenly balanced on both forearms by continually tucking your tailbone, engaging your abs, and firing up every single muscle in your legs. It helps me to demi/Barbie-point my feet, sending energy through the balls of my big toes.

IMG_2362

If you’re just getting started, aim to stay inverted for 10 seconds (2-3 deep breaths). You can gradually tack time onto this until you can comfortably hold the pose for 5 min. To come out of it, slowly bring your legs down the same way they went up with an exhalation. Be sure not to lose the lift in your shoulder blades.

When both feet touch the floor, sit back onto your knees, bring your chest forward onto your thighs, and rest in child’s pose. You deserve it!